Politics/Community Involvement

They don't like when you speak out.  You're vulnerable and people try to bring you down. But there's a community here with you that is very supportive. They may not be visible to the powers that be, but they're doing it.

So it’s a really important time in our history and in our lives not to be incredibly discouraged, but to move your efforts and energy elsewhere. And to really educate yourself on what’s going on in your community as opposed to the national government. I think also I’m always really reminded of the radical feminist phrase, “The personal is political,” in that we always are engaging in political rights and activism just by virtue of living as marginalized groups. As women, as queer people, whatever, I think for me getting active in the various dyke marches I have participated in, [laughs] it has been very powerful to see communities and people who look like me and are like-minded and often that I don’t see in my visual sphere.

My work has been very rewarding in this job in that I’ve been able to see change happen in a community that I love and be a part of that change which is really exciting for me. I was just talking with a group of students a couple of weeks ago and they asked why I liked my job and I said because I love being able to be a part of something that you can see. And I always say that I don’t know that I would be able to do my job as it is today in Boston. Because I have lived in Boston, but I do not have that type of connection to Boston. I grew up here and being able to improve an area where you grew up, that’s something special. That is one of the highlights of my job.

I have always felt that there has got to be much more of a connection between what we do on any college campus and what gets out in the community.  And that, we can’t keep what we learn in our own research, just among ourselves.  It has to go back to the community and we have to be informed.  Out of the blue three years ago I got this email from this man. Somebody I didn’t know and he said, “I have these old photos from African Americans in Worcester that you might be interested in,” and it was the end of the semester and I blew him off quite frankly.  And he called again and I said, “You know, I’m going to Worcester tomorrow, I’ll go see what he has.”  I had no idea.   So we made arrangements and his name is Frank Morrill and he lives out in Charlton and he’s a collector of many things.  He said he had a collection of 5,400 glass negatives.  The entire work of one photographer [William Bullard].  It was a white photographer.  And within that collection, he has come across this fortress of over 200 portraits of people of color that were taken in Worcester.  And he started showing me these and I was thinking, these are amazing I had never seen anything like this.  And I mean not just for Worcester but anywhere in the country.  And then he said, “Oh, by the way, I have the photographer's log book so I can tell you who most of these people are.”  And I said, “Are you kidding me?”  And then I started recognizing names because I had just written this book. I know this family, I know this person they are from North Carolina, this person is from Virginia.  And I just couldn’t believe it.  In October we will be opening an exhibition of 80 of these photographs at the Worcester Art Museum.  So since that time, since 2014 I have been working on this and I have gotten my Clark students involved with it too and they have been doing research on them.  This semester they have been writing captions to put under these and we are putting a website together to have additional information and even when the exhibition is gone we will have a virtual exhibition.  So I guess where I have really connected, this project has really connected me in many and more ways, locally and in my own kind of activism.  Because we know who these people are we can trace them back, but we can also trace them forward.  We were able to find descendants and, “You don’t know me, but I teach at Clark and I have this   really amazing photo of your grandmother, I’m not sure that you’ve ever seen it.”  And so we connected with lots of descendants and family members and they have been wonderful in sharing their information with us.  So, we are able, so the goal is to basically to tell the story of this community which really hasn’t been told.  It’s been left out of the general history books of Worcester. We are calling the exhibition, “Rediscovering an American Community of Color, Photographs by William Bullard."

I offered a new course called Women and Comparative Politics which meant looking at women in revolutions and women in elections and women in social movements around the world. And that would all be 1975/76, but what also happened is that we formed a women’s faculty group and the women’s faculty group became—we loved each other, we learned from each other, we taught each other.  How do you know that your chair is crazy? We have to learn these things. How do you know whether your tenure, your promotion experience is fair or not? And women faculty all got together and they compared notes. This is what a fair department looks like, this is what a crazy department looks like.  Is your workplace crazy or is it normal? And sometimes you have to get together with other people saying, “Woah, we didn’t want to do it like that. That’s not fair.” And then we thought there must be faculty members around Worcester that we should get together with and we formed the Women’s Studies Faculty Consortium and that’s when we all got to know Theresa McBride and Karen Turner right at Holy Cross. And then we joined with Kris Waters at Worcester State who’s a philosopher and so we formed this fabulous group and we would have dinners every fall, they were the best thing ever. So we really began to trade ideas with each other, we began to think of each other as feminists, that was new, we began to tell each other what kind of research we were doing and we all got excited about everybody else’s research. So that kind of brings you up to where we are now. But it was all new. 1970s were so exciting.